SHOOTS

I play a crucial part in generating the initial concept and mood, organising the logistics of a shoot and aid in the art direction of campaigns and lookbooks. I have worked with multiple stylists and photographers; from e-com shoots to shooting campaigns on location and am therefore well versed in working with a production team. I am integral to post production, making selects and giving retouch notes for both stills and moving imagery, which gives me a great understanding of these assets and what platforms they will be used upon. I will then format the lookbooks digitally and for print.

I have worked closely with Creative Directors, both at Halfpenny and Temperley London, to generate the initial concept and mood for all lookbooks & campaigns and then to execute the vision. This includes managing shoot budgets and working with a range of freelancers through to image selection, retouching and packaging the final product. Below are examples of Halfpenny campaign shoot moods and a bridal jewellery collaboration shot list.

TEMPERLEY LONDON

Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.

HALFPENNY LONDON

Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.

ROMO FABRICS X TEMPERLEY LONDON

Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.

ANTHROPOLOGIE EU X TEMPERLEY LONDON

Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.